An architecture of scarlet tendons builds itself,branching into stars, ladders, and hesitant halos. Globes pulse at the summit,each crowned with a loop like a keyhole of breath. Yellow beams descend through ribbed vaults,liquid sound made visible. Beneath, folds of red fabric move like memory rehearsing itself,stitched into a frame of black logic—a choreography of hunger … Continue reading Page of Red Machines
Page of Celestial Blossoms
Three flowers of fire unfold in the upper dark:yellow, violet, red—each a syllable of the sky’s forgotten prayer. Beneath every burst, a mineral seed sleepsin a translucent sheath of stone. A wand stands ready, its tip bright with awakening—the spark that persuades rock to remember light. Here combustion is revelation:stone flowering into heaven.
11. Zhuangzi — Zhuang Zhou (China)
Zhuangzi destabilizes fixed identity-mass by questioning categories and promoting adaptive superpositions. His parables encourage flexible couplings, suggesting that rigid potentials lead to suffering; in SLM, he prescribes dynamic renormalization—allowing states to be context-dependent rather than fixed invariants. The Zhuangzi operates as a philosophical Mythoplasma, intertwining N + Mγ + T to create drifting parables whose … Continue reading 11. Zhuangzi — Zhuang Zhou (China)
3. The Instruction of Ptahhotep (Ancient Egypt)
The Instruction of Ptahhotep is a low-energy effective theory: a compact Lagrangian of social rules that regulate interaction in an Egyptian legal-gauge. Its aphorisms act like conserved currents—protocols that minimize conflict and stabilize the civic vacuum. Each proverb functions as a mediated interaction (gauge boson) transmitting authority from elder to younger generations. The "mass" these … Continue reading 3. The Instruction of Ptahhotep (Ancient Egypt)
Toward a Standard Literary Model
This post proposes a speculative yet disciplined framework for reimagining world literature: the Standard Literary Model (SLM). Inspired by the elegance of the Standard Model of particle physics, the SLM treats stories not as static cultural objects but as fields, forces, and interacting particles within a vast narrative cosmos.The goal is not to collapse literature … Continue reading Toward a Standard Literary Model
The End and the Beginning: A Flower in Hiroshima
Where the world burned, something began again.
Memory as Salvation
In a universe built on remembrance, forgetting is the true apocalypse.
The Hidden Empire of Kirata
Once lost beneath the Labyrinth, now the heart of rebirth.
Long Feng: The Man Who Would Be Chaos
Once a brother, now a storm—the King in Yellow walks again.
The Cintamani: The Stone That Dreams
Not all relics give power—some awaken the universe itself.
Shrines of Power: Mapping the Threads of Fate in The Maharajagar
Not all battlefields are made of stone and steel—some are built from time, memory, and the elements themselves.
How do the 3 metathemes relate to the content of the Maharajagar?
Let’s now explore how those three meta-themes (as described in the foreword) integrate with the content, structure, and symbolism of The Maharajagar across the whole saga: "The All is a projection of informational modulated energy waves by a cosmically horizon on the time-space continuum."Interpretation in the series:This is a deeply metaphysical idea—drawing from quantum field … Continue reading How do the 3 metathemes relate to the content of the Maharajagar?
An Emporium of Order and Chaos.
The title and image of this post refer to an artistically diary in which I’m resuming and catalogizing my artistic and literary creations, larded with thoughts, philosophies, and observations that induced them.The chronological order in which the works were produced has been abandoned in favor of a systematic approach were the subjects are brought together … Continue reading An Emporium of Order and Chaos.
About Transcribing Finnegans Wake in plain English.
The primary transcription goal of Finnegans Wake into Here Comes Everybody’s Karma (isbn 9781737783299) was to open Joyce’s Opus Magnum for a wider reading public by replacing the foreign language idiosyncrasies with an English equivalent and by streamlining Joyce’s sibylline prose.This required me to engage with the prose of Finnegans Wake that goes beyond that … Continue reading About Transcribing Finnegans Wake in plain English.
Poetry in the Dark. Acrylic on canvas 120 x 120 cm by Shaharee Vyaas (2023)
‘Darkness’: A Poem by Lord Byron I had a dream, which was not all a dream.The bright sun was extinguish’d, and the starsDid wander darkling in the eternal space, Rayless, and pathless, and the icy earthSwung blind and blackening in the moonless air;Morn came and went—and came, and brought no day, And men forgot their … Continue reading Poetry in the Dark. Acrylic on canvas 120 x 120 cm by Shaharee Vyaas (2023)
The Connection between Writing and Painting
The featuring image of this post carries the images of Borges and Dali. While Borges was a key figure in Spanish-language and international literature, Dali was was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work . I almost forgot it, but I started this page a couple of … Continue reading The Connection between Writing and Painting
Contemporary Cryptomathicians.
For those who want to know more about the relation between Art and Mathematics.
The Artistical Twilight Zone
The Vampire. Acrylic on canvas 30 x 30 cm by Shaharee Vyaas. Read more on https://maharajagar.com/2021/09/22/the-artistical-twilight-zone/
Resurrection as a Literary Device.
Resurrection isn’t anymore the monopoly of theologians, priests and other religious leaders, but has become also a recurring subject of intense research and speculation among artists and scientists.
The Maharajagar 