Information technology refers to the ways most literature comes nowadays into existence while the internet refers to its most popular distribution channel. The book industry has come to the realization that they have lost their monopoly of being the sole gate keepers of the literary world, while it can still be a career boost for … Continue reading Literature, Information Technology, and the Internet.
This article whines about the ripping and attention seeking blogo-clowns.
Since US literature, as represented by the US Library of Congress, has the whole universe as a subject, one could assume that this system is also governed by the same mechanisms that it describes. In the following two paragraphs I would like to outline some analogies between what most people consider as two disciplines who … Continue reading The US Literary Universe.
Under this paragraph you find a synopsis of the most recurring questions that were posted on a Facebook page about creative writing.
Resurrection isn’t anymore the monopoly of theologians, priests and other religious leaders, but has become also a recurring subject of intense research and speculation among artists and scientists.
Lately I’ve out of frustration canceled my Kindle Unlimited account about this issue. Too many authors don’t seem to grasp what’s the difference between a serialized novel and a serial series. Put simply: a series is a collection of books that all belong to the same “franchise” but can be read in any order (because they’re … Continue reading Serial Series Yes. Serialized Novels NO.
The egg is ubiquitous in Dalí: he draws and sculpts it in all the possible shapes and sizes, and I came spontaneously to wonder; why can the eggs be found everywhere in Dali’s works?
I just take sometimes offence at some critics who base their weighting of a novel on a very narrowly defined scale and sometimes these scales are provided by academics whose job it is to provide an informed opinion about them and not some biased fodder.
Novels, while not in the business of stating truths about the world, tell a human story very often universal in scope and present them back to us as concrete forms of human engagement. A novel has the capacity to give shape, form, and structure, to the range of values, concerns, and experiences that define human reality.
“Fiction’s about what it is to be a fucking human being.” One who gets lost in life and takes all those tales literally, can forget that novelist very often lie in order to explain some truth.
The simple answer? Because it makes them feel fortunate.
So what sets the literary hoax separate from the rest of fiction?
If you don't have time to communicate while using whole sentences, better don't
Once an artist releases a product, it stands on its own and must be judged as such. The only views and opinions that count, are those ventilated or provoked by the artistic creation itself.
A post about books that allow readers to become protagonists.
People who presume, not-entirely-unreasonable, that "literary fiction" represents a value judgment, fail to understand that "literary fiction" is just a marketing category (coined in the 1970's by publishing and book retailers) characterized by slower pacing, stylized prose, introspection and a focus on interior life over exterior action, a focus on character over plot. What they are not, though, are inherent markers of quality.
The average length of a best seller is 375 pages, set inside the USA and the protagonist is a female lawyer or detective. Romance is an upcoming segment: from 5 % of the sales in 1994 to 40 % on Amazon today and it has been demonstrated that men have a slight preference for a male main protagonist.
In today’s literary criticism arises the concept that no general method for the solution of questions can be established which does not explicitly recognize, not only the special numerical bases of the science, but also those universal laws of thought which are the basis of all reasoning, and which, whatever they may be as to their essence, are at least mathematical as to their form.
About an algorithm demonstrating that the course of North American Novels between 1863 and 1963 as a whole, can be described by an algebraic equation.
The title of this article refers to a literary technique describing the perspective through which a narrative is presented. It occurs in a narrative where all information presented reflects the subjective perception of a certain character is said to be internally focalized.