Reading the Canon of the World Literature Feb 22 till Feb 23

February 22ndI’ve finished only two titles of my list. This book is listed number fifteen and I started to consider if, for the time being, when picking a book, I shouldn’t stay below number twenty. After all, on number three figures Ana Karina by Tolstoy, and that’s also a giant of 864 pages of difficult … Continue reading Reading the Canon of the World Literature Feb 22 till Feb 23

Reading the Canon of the World Literature – day 1 to 15.

I made nine years ago a new year's resolution to read the Top 100 Works in World Literature by the Norwegian Book Clubs with the Norwegian Nobel Institute. The club polled a panel of 100 authors from 54 countries on what they considered the “best and most central works in world literature.”I was setting out … Continue reading Reading the Canon of the World Literature – day 1 to 15.

An Emporium of Order and Chaos.

The title and image of this post refer to an artistically diary in which I’m resuming and catalogizing my artistic and literary creations, larded with thoughts, philosophies, and observations that induced them.The chronological order in which the works were produced has been abandoned in favor of a systematic approach were the subjects are brought together … Continue reading An Emporium of Order and Chaos.

Kindle Launch of Here Comes Everybody’s Karma

Here Comes Everybody's Karma is a translation of Finnegans Wake from Joycean Gibberish into Vulgar English. It took me some time, but I've finally put in the effort to convert the print version into a Kindle book. Hereby I invite everyone who has been putting Joyce's masterpiece aside as an unreadable Moloch, to have a … Continue reading Kindle Launch of Here Comes Everybody’s Karma

Creative Urbanism, Installation, mixed techniques on wood W 400 x H240 cm x D50 cm

This installation critiques urbanism for potentially perpetuating a systemic gentrify-cation, emphasizing that the ideal of creating cultural-historical homogenic modern real estate overlooks the economic realities faced by many inhabitants of poorer neighborhoods, which often cannot sustain such developments. The European subsides for such projects are too often getting into the pockets of real estate project … Continue reading Creative Urbanism, Installation, mixed techniques on wood W 400 x H240 cm x D50 cm

About Transcribing Finnegans Wake in plain English.

The primary transcription goal of Finnegans Wake into Here Comes Everybody’s Karma (isbn 9781737783299) was to open Joyce’s Opus Magnum for a wider reading public by replacing the foreign language idiosyncrasies with an English equivalent and by streamlining Joyce’s sibylline prose.This required me to engage with the prose of Finnegans Wake that goes beyond that … Continue reading About Transcribing Finnegans Wake in plain English.

Literary Criticism and the Systems Theory

Although I'm not really thinking that someone missed my weekly ramblings about all the innuendo that occasionally flutters from my brain through my finger tops into my blog, I still want to acknowledge towards those who do that I'm still alive and rambling. I'm still one of those old fashioned guys who believe that the … Continue reading Literary Criticism and the Systems Theory

Here Comes Everybody’s Karma (3)

Mighty was the first to don armor and claim a name: Wassail Booslaeugh of Riesengeborg. His heraldic crest, emblazoned in green with shimmering silver embellishments, displayed a fearsome, horned he-goat in pursuit. His shield was divided horizontally, with radiant archers drawn on a deep blue background. Huzzah for the husband wielding his hoe.Ho ho ho, … Continue reading Here Comes Everybody’s Karma (3)

Imperfection is a Form of Freedom. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.

"I’m fighting myself. I know I am. One minute I want to remember. The next minute I want to live in the land of forgetting. One minute I want to feel. The next minute I never want to feel ever again. - Benjamin Alire Saenz, Last Night I Sang to the Monster." This painting is … Continue reading Imperfection is a Form of Freedom. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.