Kindle Launch of Here Comes Everybody’s Karma

Here Comes Everybody's Karma is a translation of Finnegans Wake from Joycean Gibberish into Vulgar English. It took me some time, but I've finally put in the effort to convert the print version into a Kindle book. Hereby I invite everyone who has been putting Joyce's masterpiece aside as an unreadable Moloch, to have a … Continue reading Kindle Launch of Here Comes Everybody’s Karma

Creative Urbanism, Installation, mixed techniques on wood W 400 x H240 cm x D50 cm

This installation critiques urbanism for potentially perpetuating a systemic gentrify-cation, emphasizing that the ideal of creating cultural-historical homogenic modern real estate overlooks the economic realities faced by many inhabitants of poorer neighborhoods, which often cannot sustain such developments. The European subsides for such projects are too often getting into the pockets of real estate project … Continue reading Creative Urbanism, Installation, mixed techniques on wood W 400 x H240 cm x D50 cm

About Transcribing Finnegans Wake in plain English.

The primary transcription goal of Finnegans Wake into Here Comes Everybody’s Karma (isbn 9781737783299) was to open Joyce’s Opus Magnum for a wider reading public by replacing the foreign language idiosyncrasies with an English equivalent and by streamlining Joyce’s sibylline prose.This required me to engage with the prose of Finnegans Wake that goes beyond that … Continue reading About Transcribing Finnegans Wake in plain English.

Here Comes Everybody’s Karma (8)

For centuries untold, the cornflowers have adorned the fields of Ballymun, the dusk rose has claimed the hedges of Goatstown, and the intertwining tulips have graced the sweet Rush in the mesmerizing dance of the twilight. The whitethorn and the Redhorn have enchanted the may valleys of Knockmaroon, standing resilient against the passing of numerous … Continue reading Here Comes Everybody’s Karma (8)

Here Comes Everybody’s Karma (3)

Mighty was the first to don armor and claim a name: Wassail Booslaeugh of Riesengeborg. His heraldic crest, emblazoned in green with shimmering silver embellishments, displayed a fearsome, horned he-goat in pursuit. His shield was divided horizontally, with radiant archers drawn on a deep blue background. Huzzah for the husband wielding his hoe.Ho ho ho, … Continue reading Here Comes Everybody’s Karma (3)

Imperfection is a Form of Freedom. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.

"I’m fighting myself. I know I am. One minute I want to remember. The next minute I want to live in the land of forgetting. One minute I want to feel. The next minute I never want to feel ever again. - Benjamin Alire Saenz, Last Night I Sang to the Monster." This painting is … Continue reading Imperfection is a Form of Freedom. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.