In this post I want you to bring part 13 and last episode of my latest project (for those who missed out on part 1, more info at the bottom of this post). If you want to hear the audio, just click on the image (duration 150 sec)

Eris. Mixed technics on canvas 45 x 45 cm by Shaharee Vyaas (2023). Collection Civilization and Cosmos part 13

—George Gordon Byron, Lord Byron

Ode to Eris

Ill-minded Eris! Why scourge humankind
Who bowed so low the knee?
By gazing on thyself grown blind,
Thou taught human to see.
With might unquestioned, — power to save, —
Thine only gift hath been the grave,
To those that worshipped thee;
Nor till their fall could mortals guess
Ambition’s less than littleness!

Thanks for that lesson — It will teach
To after-warriors more,
Then high Philosophy can preach,
And vainly preached before.
That spell upon the minds of men
Breaks never to unite again,
That led them to adore
Those Pagod things of sabre sway
With fronts of brass, and feet of clay.

The triumph and the vanity,
The rapture of the strife —
The earthquake voice of Victory,
To thee the breath of life;
The sword, the scepter, and that sway
Which man seemed made but to obey,
Wherewith renown was rife —
All quelled! — Dark Spirit! what must be
The madness of thy memory!

My latest project concerns itself with a multimedia installation that consists of a rotating rhombicuboctahedron that is suspended in a magnetic field. The twelve square faces of the rhombicuboctahedron are carrying an image that represents the mythological aspects of the main celestial bodies that make our planetary system. While the installation makes every two minutes a turn to bring another planet in focus, a melody is played that consists of a classical music tune that is derived from the electromagnetic waves emitted by this particular celestial body mixed with a poem that refers to a specific phase that occurs in every civilization cycle with a reference to the classic European mythology that backs it up. The installation measures about 3 meters over 3 meter. The concept of this installation is founded upon the idea of how the cyclical nature of a multitude of phenomena mirrors circulatory cosmological and biological patterns

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