Page of Red Machines

An architecture of scarlet tendons builds itself,branching into stars, ladders, and hesitant halos. Globes pulse at the summit,each crowned with a loop like a keyhole of breath. Yellow beams descend through ribbed vaults,liquid sound made visible. Beneath, folds of red fabric move like memory rehearsing itself,stitched into a frame of black logic—a choreography of hunger … Continue reading Page of Red Machines

9. Analects — Confucius (China)

The Analects present a prescriptive dynamics for social stability. Rituals and hierarchical roles are selection rules: perform them correctly and social coherence emerges. The Analects thus provide precise Lagrangian terms that penalize deviance and reward conformity, producing low-entropy social arrangements.A lean Realiton (N + D±) stabilized through ethical clarity. Dissonatons (D±) emerge in the friction … Continue reading 9. Analects — Confucius (China)

Lena Snow: The Visionary Behind Goddessarts Magazine

At the very core of Goddessarts Magazine’s identity is Lena Snow—a creator whose vision has been the magazine’s guiding force from its inception. As the founder and artistic spirit behind the publication, Lena Snow’s passion for championing meaningful, transformative art is woven into every page and initiative.Lena’s journey began with a desire to carve out … Continue reading Lena Snow: The Visionary Behind Goddessarts Magazine

6. The Upanishads (India)

The Upanishads function as renormalization techniques for inner life. They propose methods for subtracting superficial divergences—ego, desire—to reveal a more fundamental field of Brahman. Practices they recommend (meditation, ethical discipline) are operators reducing self-interaction terms and allowing consciousness to experience unified modes. In SLM, the Upanishads describe a path to lower-energy coherence: when the individual … Continue reading 6. The Upanishads (India)

The contemporary critical art theory

A common critique of the art world is the emphasis on financial gain over critical engagement with art theory. Many artists feel that the focus on monetization, particularly through NFTs and other speculative markets, overshadows the potential for deeper artistic and social commentary. This can lead to a situation where artistic merit is secondary to … Continue reading The contemporary critical art theory

Geographies

Last week I submited some contribution to an open call launched by LoosenArt who is inviting photographers, video makers and digital visual designers to take part in the collective exhibition "Geographies: an exploration between places, environments and cultures", an exhibition project that seeks to question and narrate the many forms of contemporary geography: physical and … Continue reading Geographies

An Emporium of Order and Chaos.

The title and image of this post refer to an artistically diary in which I’m resuming and catalogizing my artistic and literary creations, larded with thoughts, philosophies, and observations that induced them.The chronological order in which the works were produced has been abandoned in favor of a systematic approach were the subjects are brought together … Continue reading An Emporium of Order and Chaos.

Creative Urbanism, Installation, mixed techniques on wood W 400 x H240 cm x D50 cm

This installation critiques urbanism for potentially perpetuating a systemic gentrify-cation, emphasizing that the ideal of creating cultural-historical homogenic modern real estate overlooks the economic realities faced by many inhabitants of poorer neighborhoods, which often cannot sustain such developments. The European subsides for such projects are too often getting into the pockets of real estate project … Continue reading Creative Urbanism, Installation, mixed techniques on wood W 400 x H240 cm x D50 cm

About Transcribing Finnegans Wake in plain English.

The primary transcription goal of Finnegans Wake into Here Comes Everybody’s Karma (isbn 9781737783299) was to open Joyce’s Opus Magnum for a wider reading public by replacing the foreign language idiosyncrasies with an English equivalent and by streamlining Joyce’s sibylline prose.This required me to engage with the prose of Finnegans Wake that goes beyond that … Continue reading About Transcribing Finnegans Wake in plain English.

Being Water, digital collage of previous works, canvas 80 x 80 cm, 2024.

The background of this work is based upon the concept of dynamics that challenges our perception of fixed borders and boundaries. The seven oceans are an example to illustrate how the arbitrary lines imposed by humans can limit our understanding of the interconnected systems of the world. Dynamics blurs the distinctions between land and sea, … Continue reading Being Water, digital collage of previous works, canvas 80 x 80 cm, 2024.

Here Comes Everybody’s Karma (3)

Mighty was the first to don armor and claim a name: Wassail Booslaeugh of Riesengeborg. His heraldic crest, emblazoned in green with shimmering silver embellishments, displayed a fearsome, horned he-goat in pursuit. His shield was divided horizontally, with radiant archers drawn on a deep blue background. Huzzah for the husband wielding his hoe.Ho ho ho, … Continue reading Here Comes Everybody’s Karma (3)

The Big Migration. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)

I have been thinking carefully about this work for the past two years, and the vision that it contains came to fruition while intermittently working on it over the past year. The Big Migration is a surrealist painting depicting a fantastical migration of humanity through the solar system, but it also carries a deeper message … Continue reading The Big Migration. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)

Kundalini. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)

DNA and genetics allow us to explore the universe within ourselves. With modern science, we have discovered that the cosmos and our bodies are interconnected. Understanding the vital role DNA plays in our existence and the world around us can help shed light on the mysteries of the universe. By unlocking the secrets of our … Continue reading Kundalini. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)

Azrael. Acrylic on a black canvas 52 x 78 cm by Shaharee Vyaas.

Azrael is the fifth installation of a series of five #paintings I’ve made around a time that coincides with the yearly festival of #Halloween 2023. The frames contain some earlier reflections I had about the aftermath of the recent #pandemic. The stylistic concept deviates substantially from most of my other works, although parallels can be … Continue reading Azrael. Acrylic on a black canvas 52 x 78 cm by Shaharee Vyaas.