The Vedas operate like foundational field equations: hymns that set cosmological symmetries, ritual operators, and priestly mediators that maintain the sacrificial vacuum. Their liturgies are bosonic actions transmitting sacred charge between human and cosmic realms. The sacrificial system establishes selection rules that regulate social stratification and perform energy transfers (offerings), preserving cosmic order (ṛta). In … Continue reading 5. The Vedas (India)
1. The Epic of Gilgamesh (Mesopotamia)
Gilgamesh is a prototypical heavy excitation resisting mortality. Enkidu’s entrance turns the two into a bound pair, like a baryonic composite stabilized by intense mutual coupling. Enkidu’s death is a perturbation that shifts Gilgamesh’s vacuum: the hero gains existential mass—grief, wisdom—forcing a search for permanence (immortality) that results in a renormalized appreciation of the communal … Continue reading 1. The Epic of Gilgamesh (Mesopotamia)
Toward a Standard Literary Model
This post proposes a speculative yet disciplined framework for reimagining world literature: the Standard Literary Model (SLM). Inspired by the elegance of the Standard Model of particle physics, the SLM treats stories not as static cultural objects but as fields, forces, and interacting particles within a vast narrative cosmos.The goal is not to collapse literature … Continue reading Toward a Standard Literary Model
How do the 3 metathemes relate to the content of the Maharajagar?
Let’s now explore how those three meta-themes (as described in the foreword) integrate with the content, structure, and symbolism of The Maharajagar across the whole saga: "The All is a projection of informational modulated energy waves by a cosmically horizon on the time-space continuum."Interpretation in the series:This is a deeply metaphysical idea—drawing from quantum field … Continue reading How do the 3 metathemes relate to the content of the Maharajagar?
An Emporium of Order and Chaos.
The title and image of this post refer to an artistically diary in which I’m resuming and catalogizing my artistic and literary creations, larded with thoughts, philosophies, and observations that induced them.The chronological order in which the works were produced has been abandoned in favor of a systematic approach were the subjects are brought together … Continue reading An Emporium of Order and Chaos.
About Transcribing Finnegans Wake in plain English.
The primary transcription goal of Finnegans Wake into Here Comes Everybody’s Karma (isbn 9781737783299) was to open Joyce’s Opus Magnum for a wider reading public by replacing the foreign language idiosyncrasies with an English equivalent and by streamlining Joyce’s sibylline prose.This required me to engage with the prose of Finnegans Wake that goes beyond that … Continue reading About Transcribing Finnegans Wake in plain English.
The Infinite Universe of Pi.
Although I have at this instance a very busy schedule, it seems that I can't keep going without distracting myself every now and then with some artistic project. The idea for this work occurred to me during the night and I couldn't focus on anything else till I had it worked out. It's a digital … Continue reading The Infinite Universe of Pi.
The Animate and The Inanimate
This is a snap shot of five of my latest visual works in a series called The Animate and the Inanimate
Time in Art.
Time is one of the most common commodities of any artistic work. Yet it is also one of the least comprehended ingredients. Art exists in time as well as space. Time implies change and movement; movement implies the passage of time. Movement and time, whether actual or an illusion, are crucial elements in art although … Continue reading Time in Art.
About Nuclear Mysticism.
Nuclear Mysticism is composed of different theories that try to show the relationships between quantum physics and the conscious mind.
The Maharajagar 