Everyone who follows me, knows that I can become quiete eratic in my blogging when I get absorbed into the final phase of an ongoing project. So was it this time and finaly: the mouse birthed a mountain.
The Chimeric Glyph System was brewing and coming to fruition over years on a subconscient level till, around the end of last year, I had my aha-moment. Retrospectively, it was a cristalization of my cryptomatical mental processes.
My early work, The All Is an Egg (ISBN 978-1737783220), presents an emergentist view of mind, self, and reality, drawing on systems theory, neuroscience, and consciousness studies. A Cosmology of Civilization expands this inquiry into a multimedia vision of civilization as a living system situated within a larger cosmic order. In The Maharajagar (ISBN-13 : 979-8297178304), these ideas take mythic and narrative form through interconnected cultures, memories, and destinies shaped by synthesis, hybridization, and transformation. This edition was flawed, taken out of print, and will replaced by an 8 volume series that carry the same name of which currently only the first volume is published (The Maharajagar: Volume I. ISBN 9798190246940).
Later I turned toward the architecture of literature itself. In “Here Comes Everybody’s Karma” (ASIN : B0DSFR38QV) I reworked the symbolic structure of James Joyce’s Finnegans Wake into a more transparent narrative form, while The Standard Literary Model (ISBN-13 : 979-8275193855 ) proposes a vocabulary of fundamental units through which literary meaning emerges. These investigations led to The Chimera Protocols of Transmutation and the Chimeric Glyph System an original visual-semantic language designed to represent relations of change, recursion, containment, rupture, and synthesis.
The style of my visual work, which I describe as “surpressionism,” combines Impressionist suggestion with Surrealist association. The paintings are not conceived primarily as decorative objects, but as attempts to reveal hidden relationships among cosmos, civilization, myth, consciousness, and transformation. The Chimeric Glyph System formalizes that same ambition into a reusable symbolic framework.
Across my work, I have repeatedly asked how higher-order realities arise from interacting parts. Philosophy becomes cosmology; cosmology becomes myth; myth becomes literary theory; literary theory becomes alchemy; and alchemy becomes symbolic language. As such, I consider myself less as a conventional novelist, painter, or philosopher than as the builder of an evolving interdisciplinary system concerned with emergence, meaning, and transformation.
Finally I condensed this in a format that I find esthetically appealing: The Chimera Protocols of Transmutation and The Book of Split Ink (at this instance, the Spanish and English edition are scheduled for publication on Sep 15, 2026: isbn 978-84-09-89799-5 (and isbn 978-84-09-88086-7 for the Spanish edition). In this volume, two autonomous and interdependent entities coexist.
The chimeric protocols of transmutation bring together a series of glyphic sheets conceived as operational fields: symbolic architectures that encode laws of transformation through form, sequence, containment, rupture and return.
In contrast, The Book of Divided Ink narrates the awakening of these Protocols through two consciousnesses born from the same body: Gala, blue intelligence of structure, measure and relationship; and Salvador, crimson memory of root, wound, matter and change.
Together they traverse seeds, blackened gardens, metamorphic machines, impossible anatomies, rituals, hidden cities, and thresholds of consciousness. As the journey unfolds, Barcelona ceases to be a mere backdrop and reveals itself as the final layer of the system: a living cartography of stone, memory, ruin, and becoming.
The reader occupies a third position: that of the Alchemist. Looking, reading, comparing, and going back become acts of participation. Each page activates a distinct relationship between image and narrative, law and experience, body and transformation.
It is not an illustrated novel nor a conventional manual, but a double work: a chimerical atlas of transformation and memory.
Over the coming weeks, I intend to tell more about this. I’ve tentatively pinned September 15th as publication date, and I am not sure how much effort I will put into trying to atract readers for it. Promotional campaigns are tiresome, money- and time consuming, and distract me from what I like to do most: thinking and creating.
Where do you look next—and what changed because you looked again?
English edition: Vyaas, Shaharee. The Chimera Protocols of Transmutation. 254 pages, standard color. Independently Published, September 15, 2026. ISBN 9798255835324. Price: €29.99.
Edición española: Vyaas, Shaharee. Los protocolos quiméricos de transmutación y El libro de la tinta dividida. 254 páginas, color estándar. Publicación: 15 de septiembre de 2026. ISBN 978-84-09-88086-7. Precio: €29,99.
