This post wants to create some awareness about books that have found a place into the literary sphere of interest, despite the fact that they didn’t exist the moment they were mentioned first in a literary work.
My first encounter with fictional books was when I was reading Lovecraft’s Cthulhu Mythos. Among his best known creations are; The Book of Eibon, The Pnakotic Manuscripts, and of course the Necronomicon. All of them are fictional grimoires, textbooks of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms and divination, and how to summon or invoke supernatural entities such as angels, spirits, deities and demons
Another fascinating fictional book is The Orange Catholic Bible from the Dune universe created by Frank Herbert. It is supposed to be a fusion of all significant religious thoughts in human history.
Then you have some books that started their existence as imaginary ones but became increasingly tangible. The most famous one is probably The Book of Mormon; a sacred text of the Latter Day Saint movement. Its adherents believe it contains writings of ancient prophets who lived on the American continent from approximately 2200 BC to AD 421. It was first published in March 1830 by Joseph Smith as The Book of Mormon: An Account Written by the Hand of Mormon upon Plates Taken from the Plates of Nephi. The plates have never been submitted to scientifically scrutiny and critics have claimed that the book was fabricated by Smith. Suggested sources include the King James Bible, The Wonders of Nature, View of the Hebrews, and an unpublished manuscript written by Solomon Spalding.
Another one is a children’s fairy tale that figures in the novel A Widow for One Year by John Irving. The first third of the book served as a screenplay for the movie A Door in the Floor, while the title of the movie actually refers to a fictional fairy tale that figures inside the book. The Door in the Floor is such a disturbing “children’s story” that it has become a cult classic among college students.
This post concludes with Borges, the patron saint of imagined books. Borges played every meta-fictional game imaginable, but what makes his bibliographic inventions so much fun is his interest in the books themselves. For Borges, whose translators collected his stories in a book called Labyrinths, what are a fictional footnote on A General History of Labyrinths and a fictional essay on “The God of the Labyrinth” except a wish list? Nowhere is author or context more irrelevant than in Borges’s Library of Babel, where an inconceivable number of 410-page volumes “contain all possible combinations of the twenty-two orthographic symbols (a number which though unimaginably vast, is not infinite)—that is, all that is able to be expressed, in every language.” When you start reading books that cross volumes, with no limit on length or repetition, the Library of Babel becomes infinite, and Borges deserves at least a partial patent on all other imaginary books and their limitless variations. In the Library of Babel, there’s no such thing as an imaginary book.
What imaginary book is fascinating you the most?