The background of this work is based upon the concept of dynamics that challenges our perception of fixed borders and boundaries. The seven oceans are an example to illustrate how the arbitrary lines imposed by humans can limit our understanding of the interconnected systems of the world. Dynamics blurs the distinctions between land and sea, … Continue reading Being Water, digital collage of previous works, canvas 80 x 80 cm, 2024.
The Infinite Universe of Pi.
Although I have at this instance a very busy schedule, it seems that I can't keep going without distracting myself every now and then with some artistic project. The idea for this work occurred to me during the night and I couldn't focus on anything else till I had it worked out. It's a digital … Continue reading The Infinite Universe of Pi.
Here Comes Everybody’s Karma (8)
For centuries untold, the cornflowers have adorned the fields of Ballymun, the dusk rose has claimed the hedges of Goatstown, and the intertwining tulips have graced the sweet Rush in the mesmerizing dance of the twilight. The whitethorn and the Redhorn have enchanted the may valleys of Knockmaroon, standing resilient against the passing of numerous … Continue reading Here Comes Everybody’s Karma (8)
Here Comes Everybody’s Karma (3)
Mighty was the first to don armor and claim a name: Wassail Booslaeugh of Riesengeborg. His heraldic crest, emblazoned in green with shimmering silver embellishments, displayed a fearsome, horned he-goat in pursuit. His shield was divided horizontally, with radiant archers drawn on a deep blue background. Huzzah for the husband wielding his hoe.Ho ho ho, … Continue reading Here Comes Everybody’s Karma (3)
Here Comes Everybody’s Karma (2)
Past the original dwelling of Eve and Adam, the river extends from the curve of the shore to the bend of the bay, leads us through a conveniently traversable village of recurrence back to Howth Castle and its surrounding areas. Sir Tristram, a player of love's music, crossing the short sea, had recently returned from … Continue reading Here Comes Everybody’s Karma (2)
Here Comes Everybody’s Karma
After being absent on this forum for a couple of months, I can now resurface with a new project that has been absorbing all my time and energy. I'm planning to launch this novel during the Bloomsday Festival in Dublin on June 11th between 6 - 8 pm at The Hole In The Wall Pub, … Continue reading Here Comes Everybody’s Karma
Salvador Mundi
Dalí's unique artistic style and innovative approach continue to have a profound impact on the art world, influencing countless artists across various movements such as surrealism and pop art. His exploration of dreams and the subconscious has paved the way for future artists to delve into the depths of their own minds, challenging traditional perspectives … Continue reading Salvador Mundi
The Big Migration. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)
I have been thinking carefully about this work for the past two years, and the vision that it contains came to fruition while intermittently working on it over the past year. The Big Migration is a surrealist painting depicting a fantastical migration of humanity through the solar system, but it also carries a deeper message … Continue reading The Big Migration. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)
Kundalini. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)
DNA and genetics allow us to explore the universe within ourselves. With modern science, we have discovered that the cosmos and our bodies are interconnected. Understanding the vital role DNA plays in our existence and the world around us can help shed light on the mysteries of the universe. By unlocking the secrets of our … Continue reading Kundalini. Acrylic on canvas 76.2 x 76.2 cm by Shaharee Vyaas (2023)
Azrael. Acrylic on a black canvas 52 x 78 cm by Shaharee Vyaas.
Azrael is the fifth installation of a series of five #paintings I’ve made around a time that coincides with the yearly festival of #Halloween 2023. The frames contain some earlier reflections I had about the aftermath of the recent #pandemic. The stylistic concept deviates substantially from most of my other works, although parallels can be … Continue reading Azrael. Acrylic on a black canvas 52 x 78 cm by Shaharee Vyaas.
Fear. Acrylic on a black canvas 80 x 60 cm by Shaharee Vyaas (2023)
Fear is the fourth installation of a series of five #paintings I’ve made around a time that coincides with the yearly festival of #Halloween 2023. The frames contain some earlier reflections I had about the aftermath of the recent #pandemic. The stylistic concept deviates substantially from most of my other works, although parallels can be … Continue reading Fear. Acrylic on a black canvas 80 x 60 cm by Shaharee Vyaas (2023)
The Clan. Acrylic on a black canvas 80 x 60 cm by Shaharee Vyaas (2023).
The Clan is the third installation of a series of five #paintings I’ve made around a time that coincides with the yearly festival of #Halloween 2023. The frames contain some earlier reflections I had about the aftermath of the recent #pandemic. The stylistic concept deviates substantially from most of my other works, although parallels can … Continue reading The Clan. Acrylic on a black canvas 80 x 60 cm by Shaharee Vyaas (2023).
The Conclave. Acrylic on a black canvas 78 x 52 cm by Shaharee Vyaas (2023)
The Conclave is the second installation of a series of five #paintings I’ve made around a time that coincides with the yearly festival of #Halloween 2023. The frames contain some earlier reflections I had about the aftermath of the recent #pandemic. The stylistic concept deviates substantially from most of my other works, although parallels can … Continue reading The Conclave. Acrylic on a black canvas 78 x 52 cm by Shaharee Vyaas (2023)
Danse Macabre. Acrylic on a black canvas 78 x 52 cm by Shaharee Vyaas (2023)
Danse Macabre is the first installation of a series of five #paintings I’ve made around a time that coincides with the yearly festival of #Halloween 2023. The frames contain some earlier reflections I had about the aftermath of the recent #pandemic. The stylistic concept deviates substantially from most of my other works, although parallels can … Continue reading Danse Macabre. Acrylic on a black canvas 78 x 52 cm by Shaharee Vyaas (2023)
A Society in Transit. Expanded catalog, 166 p., isbn 9798865037835, by Shaharee Vyaas ( Kindle version $ 4,99)
Click on this image to be directed to the amazon page. Arundhati Roy //The system will collapse if we refuse to buy what they are selling…their ideas, their version of history, their wars…their notion of inevitability. Remember this: We may be many, and they be few… Another world is not only possible, she is on … Continue reading A Society in Transit. Expanded catalog, 166 p., isbn 9798865037835, by Shaharee Vyaas ( Kindle version $ 4,99)
The heterodimensional Aspects of Civilization 2/5. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.
This painting is the second installation of a series of five paintings that are a meditation upon the way how the human evolution process mirrors the cosmological cycles. They form a continuation of the space opera called A Cosmology of Civilization that connected the different phases of a civilization to a planet in our solar … Continue reading The heterodimensional Aspects of Civilization 2/5. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.
The heterodimensional Aspects of Civilization 1/5. Acrylic on canvas 40,6 x 40,6 cm by Shaharee Vyaas.
This painting is the first installation of a series of five paintings that are a meditation upon the way how the human evolution process mirrors the cosmological cycles. They form a continuation of the space opera called A Cosmology of Civilization that connected the different phases of a civilization to a planet in our solar … Continue reading The heterodimensional Aspects of Civilization 1/5. Acrylic on canvas 40,6 x 40,6 cm by Shaharee Vyaas.
Imperfection is a Form of Freedom. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.
"I’m fighting myself. I know I am. One minute I want to remember. The next minute I want to live in the land of forgetting. One minute I want to feel. The next minute I never want to feel ever again. - Benjamin Alire Saenz, Last Night I Sang to the Monster." This painting is … Continue reading Imperfection is a Form of Freedom. Acrylic on canvas 40.6 x 40.6 cm by Shaharee Vyaas.
When I Have Fears That I May Cease to Be. Acrylic on canvas 40,6 x 40,6 cm by Shaharee Vyaas.
When I Have Fears That I May Cease to Be By John Keats When I have #fears that I may cease to beBefore my pen has gleaned my teeming brain,Before high-piled books, in charactery,Hold like rich garners the full ripened grain;When I behold, upon the night’s starred face,Huge cloudy symbols of a high #romance,And think … Continue reading When I Have Fears That I May Cease to Be. Acrylic on canvas 40,6 x 40,6 cm by Shaharee Vyaas.
Dynamics. Acrylic on canvas 40,6 x 40,6 cm by Shaharee Vyaas.
The concept of dynamics challenges our perception of fixed borders and boundaries. The seven oceans are an example to illustrate how the arbitrary lines imposed by humans can limit our understanding of the interconnected systems of the world. Dynamics blurs the distinctions between land and sea, creating a complex and ever-changing landscape. By embracing this … Continue reading Dynamics. Acrylic on canvas 40,6 x 40,6 cm by Shaharee Vyaas.